A peacock appears on the island, with no clear explanation or motivation.
And the tango, a very un-Korean pasttime, makes a striking appearance in the film.
As my friend put it: Swedish blond bombshells may be tough and viking-like on the outside, but they are still soft, delicate women on the inside. PS – I’m well aware that this post constitutes a generalization. Please however comment on something more constructive.
Please don’t comment that I’m stereotyping and stereotyping sucks, wah wah wah. Perhaps why Swedish women have a reputation of being blond/beautiful or why the negative reputation of being “sluts.” Or your experience dating a Swedish girl or being a Swedish girl and dating.
It’s part true, more Swedish women are interested in foreign men than they are in other Swedes.
Boredom, lack of balls, and overall disappointment are contributing factors. Like I said, if you are male and not Swedish, you already have a leading position.
As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.
There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.
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Git centers around a film director who, in the middle of starting his next screenplay, remembers a promise he'd made ten years earlier.
While staying on a remote southern island off Jeju-do, he and his girlfriend of the time agreed to come back and meet at the same motel exactly ten years in the future.
They are tall, beautiful, blonde (although artificially blond dyed hair), busty, athletic, and strong.